The blog of New Zealand’s Audiovisual Archive
University of Leeds PhD student Emily Kate Timms, visited Ngā Taonga Sound & Vision in Wellington to delve into stories about Māori elders. She reflects on some of the rich and powerful material she discovered, as well as the importance of the presence of “cinematographic kaumātua” in our film and television history.
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Merata Mita is remembered as an influential director and producer, and a pioneer of Māori filmmaking. Her son Hepi Mita has worked at Ngā Taonga Sound and Vision for the past 6 years. His film Merata: How Mum Decolonised the Screen premieres at the 2018 New Zealand International Film Festival.
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Access project developer Emma Richardson takes a look into the history of Ngā Taonga Sound & Vision’s Wellington building, Te Anakura, and its place within Te Aro.
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Wellington may have enjoyed an unusually-splendid summer this year, but three Victoria University Māori Studies students have not seen a lot of the sun. They spent their break from late November until late February in the Taranaki Street offices of Ngā Taonga Sound & Vision. With headphones fixed to their heads they passed the summer listening to the voices of tūpuna, recorded many decades before they were born.
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Thanks to tinted film stock silent movies weren’t always black and white! Diane McAllen writes about a recent project to preserve Rudall Haywards ‘community comedy’ A Daughter of Christchurch in the vivid blues, pinks and oranges that would’ve been seen by audiences in the 1920s.
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