A brief history of Māori cinema
With the Māoriland Film Festival having to drastically reduce its programme due to the Covid-19 pandemic, Ngā Taonga wanted to
Read moreWith the Māoriland Film Festival having to drastically reduce its programme due to the Covid-19 pandemic, Ngā Taonga wanted to
Read moreWas Rewi’s Last Stand marketed in relation to WWII? What did American audiences make of Utu? Who played all the extra soldiers in Utu? What was in the lost 49 minutes of Rewi’s Last Stand? Research student Caitlin Lynch writes about her use of Ngā Taonga’s documentation archives for her Honours dissertation.
Read moreThanks to tinted film stock silent movies weren’t always black and white! Diane McAllen writes about a recent project to preserve Rudall Haywards ‘community comedy’ A Daughter of Christchurch in the vivid blues, pinks and oranges that would’ve been seen by audiences in the 1920s.
Read more– By Jane Paul (Community Programme Coordinator, Ngā Taonga Sound & Vision) Richard B. Mathews (from Kaitaia) and Hector McQuarrie
Read moreNgā Taonga Sound & Vision staff have been admiring beachside fashion circa 1925, in anticipation of summer. This footage depicts
Read moreVirginia Callanan (Film Archive Director of Systems Development) tells us about recent preservation work on Rudall Hayward’s The Last Stand.
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