RNZ National. 2016-04-10. 00:00-23:59.

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Year
2016
Reference
288183
Media type
Audio
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Rights Information
Year
2016
Reference
288183
Media type
Audio
Item unavailable online

This content is for private viewing only. The material may not always be available for supply.
Click for more information on rights and requesting.

Series
Radio New Zealand National. 2015--. 00:00-23:59.
Categories
Radio airchecks
Radio programs
Sound recordings
Untelescoped radio airchecks
Duration
24:00:00
Broadcast Date
10 Apr 2016
Credits
RNZ Collection
RNZ National (estab. 2016), Broadcaster

A 24-hour recording of RNZ National. The following rundown is sourced from the broadcaster’s website. Note some overseas/copyright restricted items may not appear in the supplied rundown:

10 April 2016

===12:04 AM. | All Night Programme===
=DESCRIPTION=

Including: 12:05 Music after Midnight; 12:30 Police Files of NZ (RNZ); 1:05 Our Changing World (RNZ); 2:05 Heart and Soul (RNZ); 2:35 Hymns on Sunday; 3:05 The Incredible Melting Woman by Robin McFarland (2 of 2, RNZ); 3:30 Te Waonui a Te Manu Korihi (RNZ); 4:30 Science in Action (BBC); 5:10 Mihipeka - The Early Years, by Mikipeka Edwards (6 of 15, RNZ); 5:45 NZ Society

===6:08 AM. | Storytime===
=DESCRIPTION=

Captain Cleveland and the Russian Invasion, by David Somerset, told by Peter Vere-Jones; No Safe Harbour, by David Hill, told by Richard Edge; Rescue, by Fleur Beale, told by Michael Wilson; The Loblolly Boy, by James Norcliffe, told by Dick Weir; Thoughts from the Sick Bay, by Sandra Smith, told by Katherine Beasley

===7:10 AM. | Sunday Morning===
=DESCRIPTION=

A fresh attitude on current affairs, the news behind the news, documentaries, sport from the outfield, politics from the insiders, plus Mediawatch and music 7:43 The Week in Parliament An in-depth perspective of legislation and other issues from the house 8:10 Insight An award-winning documentary programme providing comprehensive coverage of national and international current affairs 9:06 Mediawatch Critical examination and analysis of recent performance and trends in New Zealand's news media (RNZ)

=AUDIO=

07:08
The future of Te Reo
BODY:
Professor Paul Moon has just written a book documenting the history of Te Reo in Aotearoa once the first colonists arrived in Aotearoa. He takes Wallace on a journey through the Maori language and the struggle it had to survive. A struggle, he says, is nowhere near over.
EXTENDED BODY:
According to historian Paul Moon, Te Reo's struggle for survival is far from over in 2016.
On 5 April Te Ururoa Flavell announced an amendment to the Māori Language Bill that would acknowledge how the Crown's actions contributed to a decline in Te Reo and had a detrimental impact through the generations on how the language was spoken. Despite calls from the Opposition, the amendment stops short of an apology. Prime Minister John Key says the government recognises it has a legal obligation to preserve the language.
Paul Moon has just released a timely book about how the arrival of colonists transformed Māori language - Ka Ngaro Te Reo: Māori Language Under Siege in the 19th Century.

Read an edited snapshot of their conversation below:
Paul, let's go back to the year 1800. What was the situation with regards to Te Reo Māori?
It was very healthy by any measure, because it was the only language spoken in New Zealand. There were no settlers in the country...
It was the official language.
Effectively. But it actually jumped out of New Zealand about nine years earlier. In 1791 or so the Governor of Norfolk Island had produced a Māori dictionary based on Māori who'd visited Norfolk Island. So there was already a 200-word dictionary in existence before any Europeans had settled in New Zealand.
And here we have this oral language, whereas writing... And this is really fascinating, this is the key point of the book. There's this juxtaposition between the oral and the written. Writing was the medium of the coloniser. So this had profound implications, didn’t it - how knowledge was stored, who was saying it, how it was passed on down so things could be accurate. It was an oral language.
Definitely. And I think people tend to underestimate the power of writing. When you have an entire social system that's based on certain people holding knowledge on behalf of the whole community their position is sacred. It's very hard to get into that very elite group. And all of a sudden you can have anyone possessing even more knowledge, because it' written. The way you transmit knowledge changes. It no longer has to be wrote-learned. It no longer has to take place in certain ceremonies. Now it can just be written. It can be mass produced. And all of these sort of things undermined traditional Māori social structure, but at the same time without writing the language could have been even worse off.
You say in the book that even in 1940 Āpirana Ngata noted that his people still liked committing spoken words to memory, rather than reading them. More poetic, more of an old-time narrative?
That's right, and that was at the tail end. The 1940s was when that just about died out. There are still a few examples. It hasn't quite died out completely. But by and large now, text dominates everything.
You say that language carried on paper was mildly miraculous to Māori who were encountering literacy for the first time. So that must have been an extraordinary part of New Zealand history, to actually see the first texts come through and see the reaction to that.
That's right, and it's something that... When we get the junk mail out of our letterbox we take for granted that words can appear in a physical form. But for this entire society for centuries there was no conception of that. So it almost had magical properties. And the fact that you could transport your thoughts in a physical form, take them somewhere else, it's almost beyond belief .And it was for some people. They saw texts – initially some Māori did – as having these supernatural properties because of that.
Topics: history, te ao Maori
Regions:
Tags: te reo, Maori language, Paul Moon
Duration: 19'41"

07:30
The Week In Parliament for 10 April 2016
BODY:
Government rejects allegations that New Zealand is a tax haven, the subject of many questions from Opposition parties. Their requests for an urgent debate on the allegations is rejected by the Speaker, David Carter, who also declines a Greens request for a snap debate on the government's proposal to sell 45% of Kiwibank's shares to ACC and the Super Fund. Co-incidentally, a member's bill preventing privatisation of Kiwibank without support of 75% MPs or after a national referendum is reported back ready for its second reading. A member's bill exempting RSA's from having to get a special licence to sell alcohol on Anzac Day mornings is put through all its stages. A private bill enabling the transfer of assets, property, interests, powers, and obligations from the Associated Churches of Christ Church Extension and Property Trust Board to the Christian Churches New Zealand Property Trust Board is given a third and final reading. A special housing project in Auckland runs into opposition in the committee rooms while former National and ACT Party leader, Don Brash, is blunt in his criticisms of the government's RMA reforms. Winston Peters is ejected twice from the debating chamber.
Topics: politics
Regions:
Tags:
Duration: 14'43"

07:47
Sally Round - Rebuilding Fiji
BODY:
RNZ International reporter Sally round reports from Fiji where the prime minister, Frank Bainimarama, yesterday announced a range of measures to help the country rebuild after Cyclone Winston.
Topics: Pacific, climate
Regions:
Tags: Cyclone Winston, Fiji
Duration: 11'38"

08:40
Nandor Tanczos - Rasta Marriage Celebrant
BODY:
Nandor Tanczos - Rasta Marriage Celebrant Former Green MP Nandor Tanczos has become the country's first Rastafarian marriage celebrant. He was turned down the first time he applied, a couple of years back, on the grounds that there was no evidence of a demand. Then he saw that the Church of the Flying Spaghetti Monster had successfully registered the first "pastafarian" celebrant and reapplied - and this time he was successful.
EXTENDED BODY:
Former Green MP Nandor Tanczos has become the country's first Rastafarian marriage celebrant.
He was turned down the first time he applied – a couple of years back – on the grounds that there was no evidence of a demand. Then he saw that the Church of the Flying Spaghetti Monster had successfully registered the first 'Pastafarian' celebrant and reapplied. This time he was successful.
He tells Wallace Chapman a number of people asking him to officiate at their weddings. "And not just Rastafari people – Rastafari people of course – but a wide range of people actually, for who... a standard celebrant is not what they're looking for."
Listen to Nandor Tanczos in conversation with Wallace Chapman.
Topics:
Regions:
Tags: Nandor Tanczos, Rastafarian
Duration: 17'54"

09:06
Mediawatch for 10 April 2016
BODY:
In and out of the loop on The Panama Papers; walking all over rugby; DJs dupe a sports star's mum on the radio; harvesting clicks from Paul Henry's peeking.
Topics:
Regions:
Tags:
Duration: 30'51"

09:40
Peter Helliar - Making Laughter
BODY:
One of Australia's best known and best loved comedians, Peter Helliar joins Wallace ahead of his International Comedy Festival appearance in Auckland. They talk about the similarities of 'Strayan and 'New Zild language and Peter shares some tips for young comedians on what to do and what not to do on stage.
Topics: arts
Regions:
Tags: comedy, Peter Helliar, Stand-Up
Duration: 17'57"

10:06
Bill Oddie - The Odd Life
BODY:
For Generation X - Bill Oddie will forever be known as a Goodie - one of the three madcap comedians that took UK television by storm. Since those halcyon days, Bill Oddie has turned to the art of writing and more importantly, the art of birdwatching. He's combined both loves in his many books about birds and he talks to Wallace about his upcoming appearance at the Auckland Writers Festival.
Topics: arts
Regions:
Tags: Auckland Writers Festival, Bill Oddie, birdwatching, comedy
Duration: 28'28"

10:32
James Belich - History Reforged
BODY:
Professor James Belich is one of New Zealand's pre-eminent historians. He left our shores for a prestigious position at Oxford University, four years ago, specialising in global history. He's back on home soil to speak about the centenary of the Easter Uprising and to give the Michael King lecture. Wallace speaks to him from Dunedin.
Topics: history
Regions:
Tags: New Zealand history, Professor James Belich, colonisation
Duration: 21'03"

11:05
Roger's Hallmarks
BODY:
At one point in his 40-year career as a playwright, one of Roger Hall's plays was being staged somewhere every 11 days. He's won many awards and packed out theatres with plays such as Glide Time, Middle-Age Spread, and Conjugal Rites, and Footrot Flats the Musical. He's also written popular television series Gliding On and Market Forces. Roger Hall talks to Wallace Chapman about the individuals, writers and events that influenced him, including his parents for passing on their decency, manners, and love of reading and theatre, and the playwrights Alan Ayckbourn and Joe Musaphia.
EXTENDED BODY:
At one point in his 40-year career, one of Roger Hall's plays was staged somewhere in the world every 11 days.
He's won many awards and packed out theatres with plays such as Glide Time, Middle-Age Spread, and Conjugal Rites, and Footrot Flats the Musical.
He's also written popular television series Gliding On and Market Forces. Roger Hall talks to Wallace Chapman about the individuals, writers and events that influenced him, including his parents for passing on their decency, manners, and love of reading and theatre, and the playwrights Alan Ayckbourn and Joe Musaphia.
Topics: arts, author interview
Regions:
Tags: theatre, Roger Hall
Duration: 47'30"

=SHOW NOTES=

7:08 Professor Paul Moon - Te Reo
Professor Paul Moon has just written a book documenting the history of Te Reo since the arrival of the first European colonists in Aotearoa. He takes Wallace on a journey through the Maori language and the struggle it had to survive. A struggle, he says, is nowhere near over.
7:30 News headlines
7:32 The Week in Parliament
7:47 Sally Round - Rebuilding Fiji
RNZ International senior reporter Sally round reports from Fiji where the prime minister, Frank Bainimarama, yesterday announced a range of measures to help the country rebuild after Cyclone Winston.
8:12 Insight : The Panama Papers
This week on Insight, the BBC reports from The British Virgins Islands on how a law firm there has been used by rogue states and oppressive regimes, including North Korea and Syria, to set up shell companies.
8:40 Nandor Tanczos - Rasta Marriage Celebrant
[image:64640:third]
Former Green MP Nandor Tanczos has become the country's first Rastafarian marriage celebrant. He was turned down the first time he applied, a couple of years back, on the grounds that there was no evidence of a demand. Then he saw that the Church of the Flying Spaghetti Monster had successfully registered the first "pastafarian" celebrant and reapplied - and this time he was successful.
9:06 Mediawatch
Hundreds of journalists in dozens of countries worked on The Panama Papers but our media were out of the loop. It was a pity - but was it also a problem? Also: reports of rugby's slow decline, a radio station stunt which broke the rules and harvesting the clicks from Paul Henry's peeking.
Produced and presented by Colin Peacock and Jeremy Rose.
9:40 Peter Helliar - Making Laughter
One of Australia's best known and best loved comedians, Peter Helliar joins Wallace ahead of his International Comedy Festival appearance in Auckland. They talk about the similarities of 'Strayan and 'New Zild language and Peter shares some tips for young comedians on what to do and what not to do on stage.
10:06 Bill Oddie - The Odd Life
For Generation X - Bill Oddie will forever be known as a Goodie - one of the three madcap comedians that took UK television by storm. Since those halcyon days, Bill Oddie has turned to the art of writing and more importantly, the art of birdwatching. He's combined both loves in his many books about birds and he talks to Wallace about his upcoming appearance at the Auckland Writers Festival.
10:32 James Belich - History Reforged
Professor James Belich is one of New Zealand's pre-eminent historians. He left our shores for a prestigious position at Oxford University, four years ago, specialising in global history. He's back on home soil to speak about the centenary of the Easter Uprising and to give the Michael King lecture. Wallace speaks to him from Dunedin.
11:05 Roger Hall - Life and Influences
[image:64643:third]
At one point in his 40-year career as a playwright, one of Roger Hall's plays was being staged somewhere every 11 days. He's won many awards and packed out theatres with plays such as Glide Time, Middle-Age Spread, and Conjugal Rites, and Footrot Flats the Musical. He's also written popular television series Gliding On and Market Forces. Wallace talks to Roger Hall about the individuals, writers and events that influenced him to become New Zealand's most successful playwright.

The Auckland Theatre Company is currently staging Roger Hall's play You Can Always Hand Them Back.

=PLAYLIST=

Artist: Burning Spear
Song: Marcus Say Jah No Dead
Composer: Rodney
Album: Chant Down Babylon, The Island Anthology
Label: Island
Broadcast Time: 8:40
Artist: Spiller with Sophie Ellis-Bextor
Song: Groovejet (If This Ain't Love)
Composer: Cristiano Spiller, Sophie Ellis-Bextor, Rob Davis
Label: Positiva
Broadcast Time: 9:40
Artist: Tex Pistol
Song: Game of Love
Composer: Ballard
Album: Nobody Else
Label: Pagan
Broadcast Time: 10:35
Artist: Harry Nilsson
Song: Good Old Desk
Composer: Nilsson
Album: Harry Nilsson: All Time Greatest Hits (Compilation)
Label: RCA
Broadcast Time: 11:30
Artist: Bruce Springsteen
Song: Dream Baby Dream
Composer: Springsteen
Album: High Hopes
Label: Columbia
Broadcast Time: 11:55

===12:11 PM. | Spectrum===
=DESCRIPTION=

Southland Disability Enterprises handles kerbside recycling for its entire region but it's also doing its bit for the local community. The company employs just over 100 people, many of whom have intellectual, physical or neurological disabilities

===12:37 PM. | Standing Room Only===
=DESCRIPTION=

It's an 'all access pass' to what's happening in the worlds of arts and entertainment

=AUDIO=

12:40
An uncritical critical culture - Iain Sharp
BODY:
One of the big cliches about this little country of ours is our Tall Poppy Syndrome - the famous Clobbering Machine that reduces our so-called betters to the mundane and ordinary. To which critic Iain Sharp can only say "if only"! He complains that our literary critics tend to be "tame, dull, lazy, cowardly and predictable" and wrote about it for The Spin Off.
EXTENDED BODY:
One of the big cliches about this little country of ours is our Tall Poppy Syndrome - the famous Clobbering Machine that reduces our so-called betters to the mundane and ordinary. To which critic Iain Sharp can only say "if only"! He complains that our literary critics tend to be "tame, dull, lazy, cowardly and predictable” and wrote about it for The Spin Off.
Topics: arts, books
Regions:
Tags: The Listener, The Spin Off, writing, literature, tall poppy syndrome, critcs, criticism, Evelyn Waugh
Duration: 17'53"

13:30
MechBass
BODY:
Bass players have always been dismissed as the boring ones in any band; hidden side of stage, robotically plucking away, overshadowed by the singer and the lead guitarist. Things might just be getting worse for them with the arrival of the MechBass; a robotic bass guitarist that can do everything they can and more - and won't drink the rest of the band's beer. Justin Gregory with this story.
EXTENDED BODY:
Bass players have often been dismissed as the boring ones in any band; hidden side of stage, robotically plucking away, overshadowed by the singer and the lead guitarist.
That situation might just be getting worse for them with the arrival of the MechBass; an actual robotic bass guitarist that can do everything they can and more - and won’t drink the rest of the band’s beer. Ahead of the MechBass’s live debut, Justin Gregory spoke to its creators.
Find a whole collection of musical robots here
Topics: arts, music, technology
Regions: Auckland Region, Wellington Region
Tags: robots, bass guitarists, midi, synthesisers
Duration: 10'51"

13:46
NZ On Screen – Taika Waititi
BODY:
To say Taika Waititi's new film Hunt for the Wilderpeople is a hit is putting it mildly. It's broken the record for an opening weekend in New Zealand - a record previously held by Taika's own Boy. But how did it all start for Taika Waititi? Irene Gardiner from NZ On Screen has had a look through Taika's back pages.
EXTENDED BODY:
To say Taika Waititi's new film Hunt for the Wilderpeople is a hit is putting it mildly. It's broken the record for an opening weekend in New Zealand - a record previously held by Taika's own Boy. But how did it all start for Taika Waititi? Irene Gardiner from NZ On Screen has had a look through Taika's back pages.
Topics: arts
Regions: Wellington Region
Tags: film, Taika Waititi, boy, Hunt For the Wilderpeople, Blazed, Pulp Comedy, What We Do In The Shadows, THe Living Room, televison, Life On Ben, NZ On Screen, comedy
Duration: 9'08"

14:25
Kate Sylvester talks career, inspiration and making mistakes
BODY:
At iD Fashion Week 2016 New Zealand designer Kate Sylvester showed her AW16 collection 'A Muse' inspired by the work of Picasso. She also presented a talk at the Dunedin Public Art Gallery about her connection with art and literature and the way it informs her collection, plus the highs and lows of starting out in the fashion industry and making mistakes along the way.
EXTENDED BODY:
How one of New Zealand's top designers creates a collection.
LISTEN: Kate Sylvester talks about her connection with the art world.
Kate Sylvester began her career hand sewing screen-printed t-shirts with a punk rock edge.
The Massey fashion design alumni advertised her first streetwear brand Sister via graffiti on the streets of Auckland. Later, she presented her more refined womenswear collections on the runway at New Zealand Fashion Week.
The Auckland designer can attest that building a brand from scratch isn’t easy.
In a consumer-driven society where customers get bored very quickly and often own more clothes than they need or have time to wear, Sylvester finds herself on a treadmill racing against time and the changing of seasons – the only way to play the game of fashion – in search of inspiration.
Art, she says, is a primary source for finding something new and exciting.
“I look at the world around me and I find something each season that I want to tell a story about. I reference music, movies... I’m a huge book nerd and I come back to art again and again."
Once inspiration strikes the next port of call is making sure that the story behind a collection is cohesive, and most importantly, that the garments actually work.
“We test everything and get all of our staff in the workroom to try things on and figure out what works and what doesn’t according to different body types.”
But pulling together a collection for presentation is a different ball game.
Kate learnt the hard way early on and knows that the key to putting on a show is creating something that an audience can understand and connect with. The designer says she was ahead of her time for one presentation at New Zealand Fashion Week.
“We created a collection based on minimalist sheers with lots of cutaway slashes, peep holes and slip dresses. We made boob tubes out of hosiery and for the show [we had] all the models come out and challenge the audience just like in a Vanessa Beecroft installation.”
She says the idea was strong, but her timing was terrible.
“It tanked big time! [But] we know it was a really great idea because Vanessa Beecroft has done the last two Kanye West shows with Yeezy doing exactly this.”
For Sylvester, this experience was one of the toughest commercial lessons she ever learnt – not only was the show a flop, but the collection was unsuccessful once it hit the racks.
“When we did this, it was just at the start of the boho thing after the minimalism of the '90s. I learnt this incredibly important lesson [in that] you’ve got to keep a strong voice and you can’t just go off on crazy artistic tangents. We have to be commercial and if you’re not sending a strong message to retailers and customers, they get confused and if you’re not on-trend the press don’t know what to do with you.”
Topics: business, education, arts, life and society
Regions:
Tags: society, culture, entertainment, design, designer, fashion, AW16, A Muse, Picasso, muse, muses, punk, New Zealand, Auckland, iD Fashion Week 2016, Dunedin Public Art Gallery, music, Jane Austen, Gustav Klimt, South Otago, Serge Gainsbourg, Vanessa Beecroft
Duration: 20'04"

14:40
Owen Marshall - Love as a Stranger
BODY:
Owen Marshall is best known, perhaps, as our premier short-story writer, but his range is astonishing. He's an award-winning novelist, a poet, an anthologist - and one of our most distinguished, and awarded, general authors. But his subject matter is often the ordinary - like his new novel Love as a Stranger. It's a modern-day version of that oldest of literary genres - the obsessive romantic triangle.
EXTENDED BODY:
Owen Marshall is best known, perhaps, as our premier short-story writer, but his range is astonishing. He's an award-winning novelist, a poet, an anthologist - and one of our most distinguished, and awarded, general authors. But his subject matter is often the ordinary - like his new novel Love as a Stranger. It's a modern-day version of that oldest of literary genres - the obsessive romantic triangle.
Topics: arts, books
Regions: Canterbury
Tags: novels, romance, love triangles, literature
Duration: 11'49"

14:49
NZIFF's Autumn Events serves up classic films
BODY:
The New Zealand International Film Festival is the once-a-year celebration of cinema for the cognoscenti - festival fare, challenging art-films and the occasional gob-smacking spectacular. But Festival Director Bill Gosden likes to warm us up with a tribute to classic film-making. This year his Autumn Events feature a fabulous new print of The King and I... But do they make 'em like that any more?
EXTENDED BODY:
The New Zealand International Film Festival is the once-a-year celebration of cinema for the cognoscenti - festival fare, challenging art-films and the occasional gob-smacking spectacular. But Festival Director Bill Gosden likes to warm us up with a tribute to classic film-making. This year his Autumn Events feature a fabulous new print of The King and I...but do they make 'em like that any more?
Topics: arts
Regions: Wellington Region, Canterbury, Otago, Auckland Region
Tags: film, NZIFF, The King and I, Fargo, Ran, Tickled, Where To Invade Next, The Philadelphia Story, Stop Making Sense, The Iron Giant
Duration: 8'50"

=SHOW NOTES=

[image:64584:quarter]
12:40 An uncritical critical culture - Iain Sharp
One of the big cliches about this little country of ours is our Tall Poppy Syndrome - the famous Clobbering Machine that reduces our so-called betters to the mundane and ordinary. To which critic Iain Sharp can only say "if only"! He complains that our literary critics tend to be "tame, dull, lazy, cowardly and predictable” and wrote about it for The Spin Off.
1:10 At The Movies
Simon Morris notes that when a big hit movie, like Taika Waititi’s Hunt for the Wilderpeople, hits the cinemas, all the competition decided to wait out this week. So, he popped along to his local video store to see what recent movies were snubbed by the cinemas and went straight to DVD. Why shouldn’t American Ultra and Z for Zachariah get their moment in the sun?
1:33 MechBass
[image:64581:third]
Bass players have often been dismissed as the boring ones in any band; hidden side of stage, robotically plucking away, overshadowed by the singer and the lead guitarist.
That situation might just be getting worse for them with the arrival of the MechBass; an actual robotic bass guitarist that can do everything they can and more - and won’t drink the rest of the band’s beer. Ahead of the MechBass’s live debut, Justin Gregory spoke to its creators.
1:45 NZ On Screen – Taika Waititi
To say Taika Waititi's new film Hunt for the Wilderpeople is a hit is putting it mildly. It's broken the record for an opening weekend in New Zealand - a record previously held by Taika's own Boy. But how did it all start for Taika Waititi? Irene Gardiner from NZ On Screen has had a look through Taika's back pages.
[image:58085:full]
2:06 The Laugh Track – Lords of Strut
Cian Kinsella and Cormac Mohally are Irish circus performers who are also Sean and Seamus - Lords of Strut; two fictional fame hungry brothers out to change the world through the power of light entertainment and dance. They’re bringing their show Chaos to Wellington and Auckland for the New Zealand International Comedy Festival. They've chosen clips from Father Ted, Alan Partridge, The Fast Show, and Lano and Woodley for The Laugh Track.
[image:64591:full]
2:25 Kate Sylvester talks career, inspiration and making mistakes
At iD Fashion Week 2016 New Zealand designer Kate Sylvester was invited to show her AW16 collection 'A Muse' inspired by the work of Picasso. Kate also presented a talk at the Dunedin Public Art Gallery about her connection with art and literature and the way it informs her collection, plus the highs and lows of starting out in the fashion industry and making mistakes along the way.
[image:64611:full]
[image:64590:quarter]
2:40 Owen Marshall – Love as a Stranger
Owen Marshall is best known, perhaps, as our premier short-story writer, but his range is astonishing. He's an award-winning novelist, a poet, an anthologist - and one of our most distinguished, and awarded, general authors. But his subject matter is often the ordinary - like his new novel Love as a Stranger. It's a modern-day version of that oldest of literary genres - the obsessive romantic triangle.

2:49 NZIFF's Autumn Events serves up classic films
The New Zealand International Film Festival is the once-a-year celebration of cinema for the cognoscenti - festival fare, challenging art-films and the occasional gob-smacking spectacular. But Festival Director Bill Gosden likes to warm us up with a tribute to classic film-making. This year his Autumn Events feature a fabulous new print of The King and I...but do they make 'em like that any more?
[image:64657:full]
3:06 Drama at 3 – I Own U
I Own U by Brian Hotter - A successful young man is kidnapped from his home and forced to drive to an automatic tellers as his wife and baby are held hostage.

=PLAYLIST=

Artist: Joannie Summers
Song: Johnny Get Angry
Composer: Edward, David
Album: Sealed With A Kiss
Label: Old Gold 233207
Played at: 12:12

Artist: The Cadets
Song: I Want You
Composer: Davis, Josea
Album: I'm Ready: The Modern Story
Label: Modern 181836
Played at: 12:38

Artist: Linda Ronstadt
Song: You're No Good
Composer: Clint Ballard Jr.
Album: Greatest Hits
Label: Asylum 253055
Played at: 12:43

Artist: Willy Porter
Song: Angry Words
Composer: Willy Porter
Album: High Wire Live
Label: Six Degrees 361094
Played at: 12:58

Artist: Catatonia
Song: Road Rage
Composer: Roberts, Matthew
Album: Road Rage EP
Label: Blanco Y Negro 423231
Played at: 01:09

Artist: Joan As Policewoman
Song: Furious
Composer: Wasser
Album: To Survive
Label: Pias 400063
Played at: 01:45

Artist: Marvin Gaye
Song: Anger
Composer: Marvin Gaye, Delta Ashby, Ed Townsend
Album: Here, My Dear
Label: Motown 530253
Played at: 01:58

Artist: Paul McCartney
Song: Angry
Composer: McCartney
Album: Press To Play
Label: Parlophone 789269
Played at: 02:04

Artist: Julia Andrews
Song: Just You Wait
Composer: Frederick Loewe, Alan Jay Lerner
Album: My Fair Lady
Label: Columbia 405 090
Played at: 02:45

Artist: Headless Chickens
Song: Gaskrankenstation
Composer: Matthews
Album: Give It A Whirl
Label: Propeller 999632
Played at: 02:58

Artist: The Everly Brothers
Song: I'm Not Angry
Composer: Jimmy Howard
Album: The Everly Brothers
Label: Real Gone Music 133922
Played at: 03:04

Artist: Imogen Heap
Song: Angry Angel
Composer: Heap
Album: I Megaphone
Label: Almo 318642
Played at: 03:55

===3:04 PM. | None (National)===
=DESCRIPTION=

Highlighting radio playwriting and performance: I Own U by Brian Hotter - A successful young man is kidnapped from his home and forced to drive to an automatic tellers as his wife and baby are held hostage (RNZ)

===4:06 PM. | None (National)===
=DESCRIPTION=

Default World
The technology of the internet is changing our lives irrevocably. But machines are made by man, and the model of life, these modems, smart phones, connected homes, virtual reality and predictive algorithms fit the imagined way of living. How are the ethics, philosophy and lifestyles of the internet pioneers determining the way we all live? Do we have any choice but to live the way they live, or rage against what? The machine? David Baker travels to Silicon Valley to find out what shapes those who are shaping the way we live. (BBCWS)

===5:00 PM. | None (National)===
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A roundup of today's news and sport

===5:11 PM. | None (National)===
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A Knock at the Door
How do you tell a mother that her 13-year-old daughter has been killed in a car crash? Or a young wife that the father of her unborn child will never come home? Or the parents of a soldier that their son has been maimed on the battlefield?
Every day, police officers have to perform this most difficult of tasks. And every day, families receive that knock at the door which means their lives will never be the same again.
Vin Ray hears powerful first-hand testimony from both sides of this terrible equation - the police and army officers charged with breaking the worst possible news to unsuspecting families, and the families themselves. What is the right way of telling someone that a loved one has been killed, and how do you deal with unexpected responses – from shock to outright violence? What does it do to an officer to have to deliver traumatic news again and again? And how can faith help both sides deal with such a devastating experience?

===5:40 PM. | Te Manu Korihi===
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===6:06 PM. | Te Ahi Kaa===
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Exploring issues and events from a tangata whenua perspective (RNZ)

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00:00
Māori Innovation - Kanikani Kids
BODY:
Kanikani Kids is a small business run by Otaki couple Leigh and Tahi Rau. They make colourful and individually designed kapahaka uniforms for pre-schools. What started out as a business to make ends meet has become their small enterprise.
EXTENDED BODY:
Leigh Rau saw a niche in the kapahaka ‘market’ when she found herself on Kapiti Island and her sister, a weaver, made a child-sized piupiu (a skirt with strands that hang from a belt). The contemporary design so piqued her interest that she set about making pre-school kapahaka uniforms and selling these at the markets in Porirua.
Leigh took a chance and showed the designs to three local kindergartens, who were impressed and made bulk orders. It was this positive reception to her designs that Leigh and her husband Tahi created a small business called Kanikani Kids.
Leigh says she owes her creative side to her inventive family and their ‘number 8’ wire mentality.
When Leigh and Tahi's daughter Aroha was two years old, Leigh decided to give up her work as a nurse, and at around the same time, Tahi had a workplace accident and was bedridden for a while. To make ends meet, Leigh decided to make a good go of the business. Her business mentor Daphne Luke would create the business plan, and the local market would include the local kindergartens and Kohanga Reo in the Horowhenua district. It wasn't too long before the orders started coming in and the business diversified to include headbands, dresses, poi and rakau.

"One of the things that we hold onto its that it's family based, we've got a brother that works with us, my sister Susan is great in designing, my dad helps us and the other brother helped designed a stretch machine for the fabric" - Leigh Rau.
Leigh and Tahi work together and Leigh says it's a good partnership, although she admits that she is the 'slash and burn' kind of worker, whereas Tahi is the fussy type, Tahi says that each and every poi is made with four plaits. It is time-consuming, but each and every poi is run through their fingers. Surprisingly Leigh doesn't have any experience in sewing. Kanikani Kids employs three people in two workshops.
In 2010, they won 'Best Whanau Business' in the Horowhenua area. The couple bought a lawnmowing business operated by Tahi. Future plans include diversifying the business. Leigh says Kanikani Kids is a job that she doesn't have to retire from when she hits 65, although Leigh says she is not sure if Tahi would want to keep on mowing lawns.
Topics: te ao Maori
Regions: Wellington Region
Tags: Kanikani Kids, Leigh Rau, Tahi Rau
Duration: 27'16"

=SHOW NOTES=

===6:40 PM. | Voices===
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===7:05 PM. | TED Radio Hour===
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The Act of Listening
Listening -- to loved ones, strangers, faraway places -- is an act of generosity and a source of discovery. In this episode, five TED speakers describe how we change when we listen deeply

===8:06 PM. | Sunday Night===
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An evening of music and nostalgia (RNZ)

===10:12 PM. | Mediawatch===
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Critical examination and analysis of recent performance and trends in New Zealand's news media (RNZ)

===10:45 PM. | In Parliament===
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===11:04 PM. | None (National)===
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An hour of music that's "shaken, not stirred" every week from the Underground Martini Bunker at Kansas Public Radio (11 of 12, KPR)