SQUEEZE

Rights Information
Year
1980
Reference
F3277
Media type
Moving image
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Rights Information
Year
1980
Reference
F3277
Media type
Moving image
Item unavailable online

This content is for private viewing only. The material may not always be available for supply.
Click for more information on rights and requesting.

Place of production
New Zealand/Aotearoa
Categories
Feature
Duration
01:19:00
Production company
Trilogic Productions
Credits
Cast: Robert Shannon
Cast: Paul Eady
Cast: Donna Akerston
Cast: Peter Heperi
Cast: David Herk
Producer: Richard Turner
Writer: Richard Turner
Director: Richard Turner
Director of Photography: Ian Paul
Editor: Jamie Selkirk
Music: Andrew Hagan
Music: Morton Young
Music Performed: Toy Love
Music Performed: The Features
Music Performed: Streetplayer
Music Performed: Hagan
Music Performed: Young
Music Performed: The Marching Girls
Funded By: New Zealand Film Commission

“Grant has two loves in his life - his fiancee and his boyfriend. SQUEEZE is a disturbing, controversial and revealing story of relationships between homosexuals.” - New Zealand Film Commission; www.nzfilm.co.nz/film/squeeze; 30/01/2014.

A story about life around the gay bars and clubs of Auckland. Grant is a young executive who pursues secret affairs with men under the illusion that when he marries Joy, all will change and he’ll settle down. He is thrown into a dilemma when he meets Paul.

“It’s a sensitive and engaging story about the (predominantly male) gay bars and clubs of Auckland, using a television- drama format to bring out the social problems faced by various members of the urban gay community [...] Like most New Zealand films I’ve seen, SQUEEZE makes exciting and imaginative use of colour: and the film is worth seeing just for the evocation of the streetlife of Auckland. The photography is by Ian Paul; and there is an excellent score by Morton Wilson and Andy Hagan”. - Meaghan Morris, “Imaginative, colourful portrayal of gay life”, Sydney Morning Herald, April 10, 1981.

“SQUEEZE was the first local drama to look seriously at the gay pub and club scene. A campaign by Patricia Bartlett successfully prevented the film from obtaining any Film Commission money by persuading the government to add a new clause to the Commission’s legislation requiring it to take account of ‘public decency’. ” - Roger Horrocks, ‘Film in Aotearoa New Zealand’, Victoria University Press, 1996, pg.78